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Installation view, Goodman Gallery London, 2022
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Installation view, Goodman Gallery London, 2022
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Installation view, Goodman Gallery London, 2022
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Darkest Africa, 2022
Acrylic, India ink and ink on canvas / 101 x 137.5 cm
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East India House, 2022
Ink on canvas / 101.5 x 135 cm
Installation view, Goodman Gallery London, 2022
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Sticky-tape Transfer 55 - Lucius Verus, 2020
Pigment inks, J-Lar tape and cotton paper
Installation view, Goodman Gallery London, 2022 -
Installation view, Goodman Gallery London, 2022
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Assume the aspect (of the dead man), 2022
Acrylic, pigment pencil and ink on canvas
Installation view, Goodman Gallery London, 2022 -
Installation view, Goodman Gallery London, 2022
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Installation view, Goodman Gallery London, 2022
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Sticky-tape Transfer 57 - Portrait of Pieter van de Poel, 2022
Sticky-tape Transfer 57 - Portrait of Pieter van de Poel, 2022
Pigment inks, J-Lar tape and cotton paper
161 x 137 cmInstallation view, Goodman Gallery London, 2022
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Identity (or A White Person), 2022
Identity (or A White Person), 2022
Ink and pigment pencil on canvas
82.5 x 101.5 cmInstallation view, Goodman Gallery London, 2022
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Sticky-tape Transfer 53 - The Dutch Gangster (Fake), or Bartholomew Vermuyden, 2020
Sticky-tape Transfer 53 - The Dutch Gangster (Fake), or Bartholomew Vermuyden, 2020
Pigment inks, J-Lar tape, masking tape and cotton paper
148 x 120 cmInstallation view, Goodman Gallery London, 2022
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George Fading II and George Fading I, 2022
George Fading II and George Fading I, 2022
Ink on canvas
134 x 102 cm (each)Installation view, Goodman Gallery London, 2022
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Hermanus as Virgil, 2022
Hermanus as Virgil, 2022
91.5 x 246.7 cmInstallation view, Goodman Gallery London, 2022
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Milton and Ships, 2022
Milton and Ships, 2022
Acrylic, ink and pigment pencil on canvas
101.5 x 142 cmInstallation view, Goodman Gallery London, 2022
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Epilogue: Disordered, and Flatulent , 2021 - 2022 / Single channel HD film
Installation view, Goodman Gallery London, 2022
Installation view, Goodman Gallery London, 2022